Nov. 12, 2025
Beyond the DJ Booth: How Spotify Auto Mix Changes the Game
Send us a message What if Spotify’s Auto Mix feature could actually hold its own against a live DJ? We put it to the test (sorta)...and the results might surprise you. In this episode, Brian B and Joe Bunn break down how Spotify’s newest Premium feature blends transitions, keys, and BPM alignment in ways that feel surprisingly natural. From bar-length filter sweeps to smooth key-matched intros, Auto Mix delivers a level of polish that’s hard to ignore. But it’s not about replacement, it’s abo...
What if Spotify’s Auto Mix feature could actually hold its own against a live DJ? We put it to the test (sorta)...and the results might surprise you.
In this episode, Brian B and Joe Bunn break down how Spotify’s newest Premium feature blends transitions, keys, and BPM alignment in ways that feel surprisingly natural. From bar-length filter sweeps to smooth key-matched intros, Auto Mix delivers a level of polish that’s hard to ignore. But it’s not about replacement, it’s about opportunity. Learn how DJs can leverage pre-mixed playlists for cocktail hours, lounges, and branded activations, turning curated programming into scalable revenue.
Joe also shares a behind-the-booth story from a small farmhouse wedding that turned into a programming masterclass: 40 guests, no “safe” tracks, and a floor that stayed packed through genre-hopping pivots between syrupy Southern hip-hop and festival-ready EDM. The takeaway: bold musical choices reward DJs who read energy, not trends.
Later, they dive into the real-world applications of Auto Mix for working DJs:
- Where it shines (cocktail hours, ambient sets, travel playlists).
- Where it fails (crowd-reading, energy shaping, emotional pacing).
- How to build a paid, passive product from smart programming.
And because no episode is complete without a music drop, Brian reveals five fresh floor-killers you can use this weekend - from a funk-laced One Direction flip to an Anxiety x Gimme Gimme hybrid that crushes after-hours.
Whether you’re a working DJ, a tech enthusiast, or someone curious about how AI is reshaping performance, this episode hits all the right notes: part strategy, part story, and all signal. No noise.
🎧 Subscribe, share with a DJ friend, and leave a review if this helped you rethink your next set. Want early access, bonus episodes, and our weekly Top 10 bangers? Join our Patreon and step into the backroom.
RESOURCES & LINKS
Our website. Please leave a review! - https://www.beyondthedjbooth.com/
To book Joe Bunn: https://bunndjcompany.com/
To book Brian B: https://djbrianbofficial.com/
Joe’s Gear Finds on Amazon: https://www.amazon.com/shop/djjoebunn
Brian’s Gear Finds on Amazon: https://www.amazon.com/shop/djbrianbofficial
DJ Event Planner free demo: https://www.djeventplanner.com/signup.php
Brian B's Coaching Options: Https://www.thdjscreativeedge.com
00:00 - Batch Day Banter & Setup
02:20 - Story: 40-Person Farm Wedding
06:20 - Music Clash: Hip-Hop vs EDM
10:30 - Dance Floor Chaos And Viral Moments
13:50 - Takeaways From A Small Wedding
16:05 - Spotify Auto Mix Deep Dive
23:10 - Is Auto Mix A Threat Or Tool?
27:50 - Programming Playlists For Revenue
WEBVTT
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Hey everybody, welcome back to Beyond the DJ Booth Podcast.
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I'm one of your podcast co-hosts.
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You see how I enunciated that properly?
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Co-host?
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Yeah.
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Brian B.
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And sitting next to me on my right, as always.
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Joseph Ellen.
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There we go, baby.
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What's up, brother?
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Man, I haven't seen you since about 10 minutes ago.
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Yeah, batch day.
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In case you're listening, and we don't hit something that is current day news.
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We batch these every couple of weeks, and so that's what we're doing today.
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Yes, sir.
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Batch day.
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Let's hit the story time segment.
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Right out of the gate.
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Right out of the gate.
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I'll tell you a story about a 40-person wedding we did uh just a few days ago.
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And it was um I was nerve.
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I mean, I even texted you going into it.
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Because I don't think I've done a wedding that small since the pandemic.
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Wow.
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Five years.
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Yeah.
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Since I've done an actual wedding for 40 or less people.
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Uh and it was at a place we had never been that was a working farm.
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So a lot of these barns and whatnot that we play in are actual wedding venues.
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This was still like a horse farm of some sort.
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Did it have a smell?
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I a mild.
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Yeah, no.
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I thought it was gonna be a little more rural or a little more rustic, but um and I didn't really I didn't really know the couple.
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I mean, obviously I'd had a meeting with them, or they might have even booked over the phone.
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I don't remember seeing them until that kind of when we got on that final planning call.
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Yeah.
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And I just think, you know, she had booked it over the phone or booked it with Randy, and then the final planning call was really the first time I met with her personally.
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Taught about the music and stuff.
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The music choices were very divisive, but I didn't figure that out until I got there that he was like hip-hop, slow hip hop, like 60, 70 beeps per month.
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And then she was new and not mumble rap, like not mumble rap, um very snaps.
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2000s, Texas, yeah, very Texas.
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DJ screw, like yeah, oh wow, it was it was a vibe.
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And a lot of people had on cowboy hats, boots, yeah, jeans.
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Like I was way overdressed in a suit.
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I was like, I didn't get the damn Western memo, I guess.
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Yeah.
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And then she was EDM.
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Did you play any chameleonaire?
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Uh no, but that probably would have gone over.
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Yeah.
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That could have gone over.
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Lil' Big X the Plug, Soldier Boy, Young Dolph.
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Young Dolph.
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I mean, yeah.
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I mean, he was throwing out wild stuff, and and a lot of the stuff was just verbal, like run up and yell it in my ear as I'm playing.
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But then she was like coming over and be like, kill this hip-hop shit and play my stuff.
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And I was like, Oh, I didn't realize y'all were like that far apart.
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You know what I mean?
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What was her vibe?
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Uh EDM.
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Oh.
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But you know, a lot of those songs I just sent you, the new newer EDM and then kind of golden age, you know, Calvin Harris and stuff like that.
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That's a toughie to know.
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We're we're the only thing that was good about it is their half tempo.
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You know what I mean?
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Yeah, you can go from like 130 to 65 pretty easy.
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Yeah.
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Um, but dude, it it from song one, and and by the way, there's no September, there's no sign sealed delivered, there's no boogie shoes.
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Like it was What was your go-to starter?
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Forever, Chris Brown.
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And that was the tamest song on the list.
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It was like, and I just opened it was like, all right, everybody, we're up, turn the lights down, music.
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One, two, three, bum.
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One, two, three, buff, man.
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And they went, they were right out there.
00:04:03.759 --> 00:04:06.319
And was these 40 people, people in their age range?
00:04:06.479 --> 00:04:12.960
Was this all family where it was very there were maybe three to four people my age or older.
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Okay.
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The other 40 people were their friends.
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Okay.
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That's those are fun, though.
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Yes.
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And and they had no, there was no um moral compass.
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There was no, like, I'm gonna withhold because grandma's over there staring at me.
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They went straight to the floor, like twerking it out.
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Did grandma get it?
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I didn't see grandma.
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Grandma did, but they weren't, they weren't, they weren't throwing it like everybody else was.
00:04:39.439 --> 00:04:41.839
I I mean, it was an ass throwing show.
00:04:42.079 --> 00:04:46.079
Like the whole time, like the the 360 videos are insane.
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Oh bad.
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And this girl came up.
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I don't think I'd it's probably the best clip from the year from the 360 camera.
00:04:55.279 --> 00:05:12.399
She comes up and she's leaning over the front of the booth and and starts provocatively touching parts of her body, and then the 360 swings around on me, and my face is just beat red, and Saquon is crying, laughing.
00:05:12.560 --> 00:05:23.519
He's just like shaking his head, and then you see her friend basically come grab her by the back of the dress and pull her away from the boosh, and it is so good, but it's like it's too embarrassing.
00:05:23.680 --> 00:05:25.040
Yeah, or I can't.
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I maybe could cover her face or something, but it is wild.
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And then he turns to me, Joe turns to me, he's like, bro, what's wrong with her?
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And I said, She's nasty, bro.
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And we couldn't stop laughing about that.
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I go, yo, man, I don't what's up with the old girl?
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And he goes, She's nasty, bro.
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Wow.
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She's nasty.
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It was it was a scene, man.
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It was a great party, though.
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Like it was.
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Things you learned through it with it being 40 people, things you noticed.
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Um, don't judge a book by its cover, because I was like, man, this is gonna suck.
00:06:03.120 --> 00:06:06.399
Uh I kind of underestimated the venue.
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I didn't really know the planner.
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Everything was really great, though.
00:06:09.839 --> 00:06:10.079
Yeah.
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You know, like we didn't really know the other vendors.
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They all seem to be great.
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Tagged us and pose.
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I think we'll get some pictures, some clips.
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I have a great clip of him at the end of the night, just absolutely turned up and he like thanks everybody and he brings everybody together for a group hug, all the vendors and stuff.
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Yeah.
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The groom.
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He was he was funny, man.
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But so at least I got some some gold from it.
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I always call it the gold.
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It's amazing.
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The end of the night.
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I love it.
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Yeah, good stuff.
00:06:36.319 --> 00:06:43.279
So uh you brought it up a couple of episodes ago, but Ashley mentioning to you the Spotify auto mix feature.
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Jesus.
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Have you had a chance to mess with it at all?
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I have not.
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Okay.
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So it's my first weekend actually using it this weekend.
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Okay.
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I had a cocktail hour that was in a different room.
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Sure.
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So you knew you didn't need to play it live.
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No, couldn't play it live, had to have it on a thing.
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I'm like, this is a great opportunity to see if this thing is gonna work for me or how it could work.
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Sure.
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So I'm gonna throw some pictures up on the screen.
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But if you haven't seen it on your, you have to be a premium member, first of all.
00:07:10.720 --> 00:07:11.519
Yep, so that's right.
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You'll see this circled, uh-huh, right?
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Yep.
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So that'll at least give you the indicator.
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And when you hit it, then we'll go to the next pick here.
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Um, I mean, a couple things it shows you.
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Obviously, it shows you the BPM.
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It's pretty darn good.
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And then the last one that'll show you is the um the key it's in.
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It actually tells you the key.
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Now I don't know how accurate it is.
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Okay.
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I from what I from my ear, it sounded like it was.
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I haven't matched it with what says on Serato necessarily.
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Yeah.
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But then if you go to the next one, this is how it basically allows you to edit these things.
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So when you um click on it and you click uh mix basically, you can set the amount of bars you want it to mix for.
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Right.
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Two bars, four bars.
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I mean, it goes up to like a lot.
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And then at the bottom, uh, if you go to the next slide, you can change it from customizing it.
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It will already pre-select what they think is the best transition.
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Oh, okay.
00:08:08.560 --> 00:08:12.319
Whether that's a filter, yeah, it's a straight mix, yeah, it's an echo out.
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They're gonna kind of think through how this works.
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And the cool part is these are two totally, well, not totally different tempos.
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This is uh Cole Hart at the top, you can barely see it on this picture, but yeah, 116.
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And then one below it is late night talking at 115.
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But you can see that they're lined up, the grid, yeah, and you can actually move it so it will line up for that one portion, and then it kind of goes off grid into the normal tempo.
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It kind of gradually works its way up there.
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So there is a syncing that happens, which doesn't say it on the app.
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Yeah, but it actually sounds pretty darn good.
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I actually have a video of it listen uh listening to it too, uh, so you can kind of hear how it works when you're fixing it.
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I might have to turn it up a little louder.
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Oh, it's coming through the TV audio.
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Go back one more time.
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One more time, yeah.
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Yeah, a little bit of a filter whatever.
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I felt like listening to it back.
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First of all, I felt really good about it because I could listen to these things ahead of time how these mixes gonna be.
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It just took me, it was uh maybe an hour and 15 minute list.
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Probably took me 20 minutes to put together.
00:09:26.399 --> 00:09:33.360
And it's already putting it in the you can set it to tell you a suggested order based off of whatever's on the list.
00:09:33.679 --> 00:09:34.399
You did this on your phone.
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On my phone.
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That's the thing.
00:09:35.840 --> 00:09:38.480
Right now, it's only available on phone or tablet.
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You can't do it on your computer.
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So you have to do all of this kind of stuff.
00:09:42.480 --> 00:09:48.000
Now, once it's on that playlist, it whatever device you're playing it on, whether it's your computer or whatever, the mix is there.
00:09:48.080 --> 00:09:51.200
You just can't set these cue points or whatever ahead of time.
00:09:51.759 --> 00:09:54.480
You can only play it on those devices, if that makes sense.
00:09:55.200 --> 00:09:55.919
A couple things.
00:09:56.080 --> 00:10:00.799
Number one is is the killer of like DJ Studio.
00:10:01.279 --> 00:10:02.960
I mean, it is essentially that.
00:10:04.000 --> 00:10:07.679
Um but the thing is, the difference with DJ Studio is you can do it with your own edits.
00:10:07.840 --> 00:10:10.480
This is only songs that you can find on Spotify.
00:10:10.799 --> 00:10:11.200
True.
00:10:11.440 --> 00:10:16.559
Secondly, um would a civilian know what they were doing?
00:10:16.879 --> 00:10:19.919
I think they're gonna have to have a little bit of music knowledge to start with.
00:10:20.320 --> 00:10:20.960
Personally.
00:10:21.360 --> 00:10:30.960
But I mean, even lining up these grids, there's a green, you can't see it here when you're in edit mode, you can actually see where you want to line up the grid exactly to that thing.
00:10:31.519 --> 00:10:33.039
So to match the other tempo.
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There's actually like a green line and it says bring this over, and you're like, holy crap, you're basically giving them the cheat code to do it.
00:10:40.240 --> 00:10:52.799
But I will say, in playing it this way, it was I noticeable difference in the feel of the cocktail out than just putting it on like the auto with just like it coming over every six or seven seconds beforehand.
00:10:53.120 --> 00:10:55.600
Like the if the energy felt up the entire time.
00:10:55.919 --> 00:10:56.720
We need to do this.
00:10:56.879 --> 00:11:06.320
I mean, it was so for mobile DJs, is this a oh shit or is this a help?
00:11:07.279 --> 00:11:08.559
A help, I think.
00:11:08.879 --> 00:11:14.639
I think it helps you because when she told me, I was like, yeah, I'm not really excited about something that's trying to take my job.
00:11:14.720 --> 00:11:17.519
Like, no, I don't think I don't think it will right away.
00:11:17.600 --> 00:11:17.759
Right.
00:11:17.919 --> 00:11:27.120
I mean, and I don't think it ever will because the people that are gonna stand out are the ones that do the edit digging that we do and do all that stuff that you're not gonna be able to get on Spotify, at least initially.
00:11:27.360 --> 00:11:27.519
Right.
00:11:27.679 --> 00:11:34.960
But where I felt like the win was was their list was already kind of upbeat as it was, uh-huh, but it never dropped in energy.
00:11:35.039 --> 00:11:42.320
It felt like it was just writing, and you can again decide where you want these mix out points to happen, so they don't have to even be the whole song.
00:11:42.480 --> 00:11:43.120
Yeah, yeah.
00:11:43.279 --> 00:11:48.559
So you can you can bang out a list of like 40 songs in an hour if you really wanted to.
00:11:48.799 --> 00:11:49.360
You know what I mean?
00:11:49.600 --> 00:11:49.679
Yeah.
00:11:49.840 --> 00:11:58.240
The way I looked at it was this could be another source of revenue for the for the DJ of like, hey, listen, I have a client who I've done her party before.
00:11:58.399 --> 00:11:59.440
She reached out to me.
00:11:59.600 --> 00:12:01.440
She's like, hey, my brother's getting married.
00:12:01.600 --> 00:12:03.919
Um not my brother's not getting married, my brother's having a birthday.
00:12:04.399 --> 00:12:08.559
I would love to get a playlist together of songs that I could play.
00:12:08.720 --> 00:12:14.080
Well, I said, listen, I'm gonna give you the list, I'm gonna mix it all for you.
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And basically we can send that to somebody?
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I with my login.
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So I'm gonna have to give her my login for.
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I was about to say, damn.
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But I was like, that's an extra bit of money that I wasn't planning on.
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It's not a ton of money, but it's something.
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Yeah.
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Yeah.
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And there is an art to programming a playlist, in my opinion.
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